Archive: November 2014

Delia Ruhm (1925 – 2014)

By on November 26, 2014 in Uncategorized

On Sunday 16 November, a large gathering of family  and friends came together at the Birmingham Botanical Gardens to celebrate the life of Delia Ruhm who died in September at the age of 89. Delia was a much-admired flautist whose early career included playing for the Boyd Neel Orchestra, Chelsea Opera Group (under Colin Davis),

Composition at Codarts Rotterdam

By on November 12, 2014 in Codarts Rotterdam

Looking back over the past thirty years of working in three conservatoires (Royal Academy of Music, Birmingham Conservatoire and Codarts Rotterdam) I get much pleasure from thinking about the influence that composition and new music has had on these institutions in this time. The exceptional series of composer concerts that Paul Patterson organised for the

Codarts Project Week (3 – 6 November)

By on November 3, 2014 in Codarts Rotterdam

This week is the autumn Project Week at Codarts, a time when the normal curriculum in the Bachelor is suspended to allow for other activities to be pursued. There are two Project Weeks each year and the first is generally carried out within each department, whilst the spring Project Week is managed across all departments. In Codarts Classical Music we have designed these autumn weeks to explore issues of professional development and entrepreneurship. In the past four years our themes have been:

2011       Personal development and entrepreneurship

Beginning with an inspirational address from Dame Janet Ritterman, former Director of The Royal    College of Music, the week held a series of instrumental and vocal workshops that looked at opportunities for individual specialisation. General workshops on entrepreneurship and orchestral playing were also presented by Neil Wallace (Programme Director, De Doelen), Henk Swinnen (Artistic Manager, Rotterdam Philharmonic Orchestra) and other speakers. Each day began with physical warm-up exercises taken by Robert Hlatky and a choir rehearsal with Wiecher Mandemaker which resulted in a sing-through of Fauré’s Requiem.

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