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George Caird's Weblog | George Caird

Royal Society of Musicians

By on January 19, 2026 in Uncategorized

Lawrence Wallington

The RSM has announced with deep sadness the death of Lawrence Wallington on 11 January at the age of 68.

Joining RSM in 1984, Lawrence was a highly committed and hugely respected Member serving on the Court of Assistants from 2003, as a Governor since 2020 and as Chair of the Fine Instrument Scheme sub-committee since 2022. He will be greatly missed by his fellow Governors and staff, whom he worked so closely alongside, as well as the many Members who saw him regularly at RSM events. Our condolences go out to his wife, Eleanor, and family at this difficult time.

A graduate of Magdalen College Oxford where he read Modern Languages, Lawrence studied singing as a postgraduate at the Royal Academy of Music. He went on to serve for four decades as a bass in the Westminster Abbey Choir, whilst also working as a busy freelance singer in oratorio and opera. He was a member of many ensembles and most notably The Monteverdi Choir with which he sang for almost 40 years appearing as soloist on numerous recordings includimg CDs of Buxtehude and Carissimi.

Lawrence’s colleagues remember him as a wonderful colleague, full of warmth and generosity of spirit. As the years went by, younger colleagues looked to him as a fatherly presence, a person who was always there to help and support. A consummate tourer, Lawrence always knew the ideal restaurant in cities across the world and, wherever he went, there were always people that he knew.

With his wife, Eleanor Meynell, the Lawrence household was an open one where musical soirees were held and music was central to everything. Lawrence and Eleanor have given much through voluntary work and Lawrence’s service to the RSM is indicative of his great generosity of spirit. He will be greatly missed.

York Wind Chamber Music 2025

By on July 27, 2025 in York Wind Chamber Music

I am really looking forward to this years York Wind Chamber Music, my fourth year as a tutor on this highly enjoyable course. It will run from Saturday 2 August to Friday 8 with a play-through concert that evening in the Sir Jack Lyons Hall at York University. The days are action packed with non-stop music running into each evening, but the week is a great social gathering too with good food and time for a drink at the end of the day in the pub in Heslington or the university bar.

It will be great to see colleagues again – Patricia Moynihan, David Campbell, Bob Ashworth, Naomi Atherton, Simon de Souza, Stephen Reay and our Course Director, Richard Ingham. Paul Feehan will be our resident pianist for the week and it will be good to work with our perennial strings, Eric Clark, Alison Major, Ruth Addison, David Brereton and Thomas Rushton. The chance for everyone to play works for wind and strings as well as the huge range of wind chamber works available is an amazing factor in the week.

I am thinking about the oboists for the week – ten in all this year – and the oboe ensemble and double reed ensemble possibilities. Thinking back to my days with the National Theatre’s Double Reed Ensemble, I wonder about Dominic Muldowney’s Four From Arcady as a challenge for our oboists.

For anyone who has not been before, this is a course to look out for in future years. It tends to get booked up very early, so it’s advisable to make contact early to be sure of a place. Suzie Palmer, Course Director extraordinary, is the person to contact.

Richard Ingham, Course Director, York Wind Chamber Music

Oxford Sinfonia, 28 June 2025

By on June 20, 2025 in Concerts, Oxford Sinfonia

I am so pleased to be back with Oxford Sinfonia for its concert in St Mary the Virgin, Oxford on Saturday 28 June at 7.30pm. It’s a really exciting programme for a summer evening opening with Smetana’s brilliant overture to The Bartered Bride followed by Dvorak’s Cello Concerto. We are delighted to welcome cellist Gerard Flotats as soloist. Our programme ends with Beethoven’s 6 Symphony, “Pastoral”.

We hope that you will be able to come. All are welcome!

Gerard Flotats, cello

Countess of Munster Musical Trust’s tribute to Charles Alexander

By on June 20, 2025 in Countess of Munster Musical Trust

The Munster Trust ended its 2025 year of applications and auditions with a tribute to Charles Alexander, who has retired as Chair of the Trust after 10 years of exceptional service. Trustees, former trustees, Executive Director Julia Desbruslais and Operations Assistant Hannah McDonald gathered on 2 June in Covent Garden for a celebratory meal to mark the occasion. In thanking Charles with Clare Alexander with him, we were able to remember the 700+ beneficiaries that had received awards during his time, the appointment of Julia Desbruslais as Executive Director, the move to the Trust’s new office in Somerset House (with the help of YCAT CEO Alasdair Tait), the continued development of the trust’s assets including legacies and absorption of other trusts and Charles’ devotion to all the trust’s work.

We reminded Charles that he was the fourth Chair of the Munster Trust since its inception following Gerald Coke (1958 – 1978, Leo de Rothschild (1978 – 2005) and Nicholas Berwin (2015 – 2015). During his tenure, he also chaired the Royal Marsden Hospital (2016 – 2022), Guy’s and St Thomas’ (2022 -) and VIVID Housing Trust. These last two appointments continue and Charles will also continue with his work in the arts with his Chairmanship of Opera Rara, an interest that is very close to his heart.

Thank you Charles for a great ten years. The Munster Trust has benefited enormously from your time with us.

Charles Alexander

Bromsgrove International Musicians Competition

By on June 7, 2025 in Bromsgrove International Music Competition, CONSERVATOIRES

After a week of excellent performances at the Bromsgrove International Musicians Competition, congratulations to Madeleine Brown (piano) on her success in winning the competition and to Iohan Coman (violin) and Jamie Cochrane (piano) for their success in reaching the final.

Madeleine Brown studied the piano with Helen Krizos at Chetham’s School of Music before reading music at Trinity College, Cambridge. She previously studied with Dina Parakhina, Charles Owen and Lora Dimitrova. She is now a postgraduate student at the Royal Northern College of Music as she begins her career as a pianist. She has performed in prestigious venues such as London’s Steinway Hall, King’s Place, Kettles Yard in Cambridge and for the Oxford Piano Festival. She has received masterclasses from disitinguished pianists including Stephen Kovacevich, Richard Goode, Marios Papadopoulos, Sir Stephen Hough and Peter Donohoe.

Madeleine’s programmes in the BIMC comprised Haydn’s Sonata in B minor and Debussy’s L’Isle Joyeuse in the second round, Rameau’s Suite in D and Rachmaninov’s Moment Musicaux Op 16, 1 and 4 in the semifinal and Kazimierz Serocki’s Suite of Preludes and Scriabin’s 4th Sonata in the final.

Jamie Cochrane studied at Merton College, Oxford before going on the the Royal Academy of Music for a Master’s degree studying with William Fong and Michael Dussek. He has subesequently held a Graduate Musician Residence position at St Hilda’s College, Oxford. He was the pianist in the Oxford-based contemporary music Ensemble ISIS where he worked with composers Shirley Thompson and Cheryl Frances-Hoad.

Jamie’s programmes in the BIMC comprised Marc-André Hamelin’s Suite à l’ancienne, the Bach-Siloti Prelude in B minor and Chopin’s Barcarolle in round 2, Schubert’s Impromptu in Eb and Rachmaninov’s Prelude in B minor in the semifinal and Enrique Granados’ Los requiebros from Goyescas, Stephen Hough’s Sonata Vida Breve and the Trenet/Weissenberg En Avril à Paris in the final.

Iohan Coman was born in Paris and studied at the Conservatoire Rachmaninov before moving to London in 2018 as a student of So-Ock Kim at the Royal Academy of Music. He has participated in masterclasses with Hilary Hahn, Anthony Marwood and Luke Hsu and played with leading conductors including Trevor Pinnock, Sir Simon Rattle, Semyon Bychkov and John Wilson.

Iohan’s programmes for BIMC comprised The Sarabande from Bach’s D minor Partita and Ysayë’s Ballade from Sonata 3 in round 2, the Andantino from Schubert’s Sonata Op 162 and Ysayë’s Poème Elégiaque in the semifinal and Schubert’s A major Sonata D514 and the Ysayë Poème Elégiaque in the final.

Congratulations, too, to six further semifinalists, Cherry Ge (piano), Kosta Popovic (cello), Adrian Henke (piano), Alexandra Peel (violin), Nathan Perry (double bass) and Julia Blachuta (violin) all of whom gave highly enjoyable performances in a wide range of repertoire.

Madeleine Brown, piano

Iohan Coman, violin

Jamie Cochrane, piano

Bromsgrove International Musicians Competition

By on May 27, 2025 in Bromsgrove International Music Competition

It is great to be back in Bromsgrove for the 2025 International Musicians Competition. As in past years, we have a strong entry selected from the first video round with more than 20 fine performers playing for a place in the semifinal from 10.00am on Friday 30 May in Routh Concert Hall at Bromsgrove School. The Final will take place in the same venue on Saturday 31 May at 7.30pm.

Note, too, that the Final of the Bromsgrove Young Musicians Platform will take place from 2.00pm to 5.00pm of Saturday (31 May) in the Routh Concert Hall. This event if for talented young instrumentalists and singers between the ages of 9 and 17, divided into two sections: junior fro 9 to 13 and senior from 14 to 17.

All three events are open to the public. We hope you will come and support these wonderful musicians.

I am delighted to be working with fellow jurors, Sarah Bruce and Christopher Glynn, and also with David Saint, Chair of the BIMC, and Beverley Needham, Administrator. This is a most enjoyable week spent hearing and supporting really talented young performers in the beautiful environment of Bromsgrove School.

David Saint, Chair, Bromsgrove International Musicians Competition, former Principal, Royal Birmingham Conservatoire and Director of Music, St Chad’s Cathedral, Birmingham

Radcliffe Orchestra

By on March 10, 2025 in ORCHESTRAS, Oxford, Radcliffe Orchestra

I am looking forward to my next concert with the Radcliffe Orchestra on Saturday 15th March at 7.30pm in the Tingewick Hall at the John Radcliffe Hospital in Oxford. The progamme is a really exiting one with Glinka’s Overture Ruslan and Ludmila and Resphigi’s gorgeous The Fountains of Rome for the full orchestra. We have two concerti: Steve Guard will be playing David Heath’s brilliant Celtic Concerto for soprano saxophone and strings in the first half and, after the interval, Sunil Manohar will play Rachmaninov’s incomparable Piano Concerto No 3.

This highly enjoyable programme is given in aid of the Wallingford Accessible Boat Club which makes baoting on the Thames a reality for disabled people, a most successful venture run by brilliant volunteers. We hope as many people as possible will support this concert! All are welcome.

Sunil Manohar, piano

Woking Young Musician of the Year

By on February 11, 2025 in COMPETITIONS, Woking Young Musician of the Year

On Saturday, 8 February, I had a wonderful evening as Adjudicator of the Woking Young Musician Competition, an event that has been held annually since 1979 as part of the Woking Music Festival, founded nearly 100 years ago. Eight finalists were selected from a large entry that performed at the Festival in the autumn and these finalists presented short programmes of contrasting works in a recital before a full house in St John’s Church, Woking. They were: Rentarou Nito (piano), Liliia Konstantinova (harp), Nicholas Yang (piano), Hanhan Qu (flute), Jerry Liu (piano), Jamaal Kashim (harp), Miriam Grant (violin) and Anxo Garcia (piano).

It was a real responsibility to select the three winners from a very strong group of musicians all of whom played at a high level and with significant potential for the future. In the end, Anxo Garcia’s brilliant Toccata from Pour le piano and Chopin’s Ballade No 3 gained him the third prize whilst a captivating performance by Jamaal Kashim of Marcel Granjany’s Rhapsodie pour la Harpe, Op 10, together with Fire Dance by previous WYM winner, David Watkins, earned him second prize. But it was a thrilling performance of André Jolivet’s Chant de Linos that was decisive in awarding the first prize to flautist Hanhan Qu.

During the evening it was also good to hear other award winners from the festival perform, demonstrating just how much talent there is in this part of Surrey. The event was so well presented under the guidance Christine Loosemore, Susan Nichols and their committee and the event was clearly supported by the community with Deputy Mayor, Amanda Boote, awarding the prizes and Woking’s MP, Will Forster, in attendance.

Best wishes to all those who took part. As I said in my summing up, all are winners and their futures look very bright!

St John’s Church, Woking

Lionel Tertis International Viola Competition

By on January 26, 2025 in Tertis International Viola Festival and Competition

Sam Rosenthal, viola

It’s been a remarkable week! The 14th Lionel Tertis International Viola Competition has been taking place at The Glasshouse in Newcastle and I have had the pleasure of chairing the jury in a festival of events which has also involved the Cecial Aronowitz Viola Competition for players aged 18 and under, concerts by major viola players (including Timothy Ridout, Thomas Riebl, Françoise Gneri, Robin Ireland, Thomas Selditz), ensembles, violin and viola makers and much more.

This extraordinary week was led by the inspirational Louise Lansdown with a remarkable team including Nicky Footer (Administrator), Kirin Howat, Matthew Hayes, Peter Whitehead, Alex Robinson and many others who coordinated the seven full days of activities with extraordinary precision.

The Tertis Competition featured 39 remarkable viola players (aged under 30) in the final rounds. Playing works by Bach, Paganini or Ligeti in the first of these and then progressing to a major sonata coupled with the set piece, Garth Knox’s The Bridges of Newcastle, each round had its challenges but the players performed at a truly remarkable level and with great assurance. Many perfromnaces were memorised, Garth Knox’s work received multiple characterful interpretations and we heard many great sonatas from the viola repertoire. The accompanists were Anthony Hewitt, Robert Markham and Sophia Rahman who covered all 39 players’ repertoire for the second and third rounds, an impressive achievement.

Eight remarkable players won their way through to the a third round where they performed a complete sonata (Bax, Bowen, Brahms, Bliss, Hindemith) together with a movement of their chosen concerto which included Bartók, Walton, Hindemith’s Schwanendreher. The selected players were Francisca Barradas Vaz Galante (Portugal), Brian Isaacs (USA), Wanxinyi Huang (China), Ami-Louise Johnsson (Sweden), Sam Rosenthal (USA), Yanan Wang (China), Sarah Strohm (Switzerland) and Nicolas Garrigues (France).

It was a hard choice for the jury to select the three concerto finalists but in the end it camde clear that they were to be Ami-Louise Johnsson playing the Walton Concerto, Sam Rosenthal playing the york Bowen Concerto and Nicolas Garrigues playing the Bartók Concerto.

Congratulations, too, to Jaeyun Han (South Korea), Jackson Hill (USA) and Yunyu Zhow for their performances in the Aronowitz Competition final. In the end, the jury of Garfield Jackson, Sheng Li Thomas Riebl and Ásdís Valdimarsdóttir, chaired by Jo Cole name

The Tertis Competition jury 2025: Françoise Gneri, George Caird, Lilli Maijala, Robin Ireland, and Thomas Selditz with Garth Knox wearing his red Bridge of Newcastle T-shirt pictured in The Glasshouse, Newcastle

Louise Lansdown with Lionel Tertis statue

My oboe teaching for Royal Birmingham Conservatoire

By on November 15, 2024 in Oboe matters, Royal Birmingham Conservatoire

I recently found myself reflecting on a constant theme in my life – that of teaching the oboe and especially within the conservatoire sector. It is remarkable to think that I was appointed to teach the Oboe at the Royal Academy of Music in April 1984 and thus can look back on 40 years in conservatoires. At the RAM I was soon to find myself as Head of the Woodwind Department but I continued to enjoy and put as much energy as I could into my role as Oboe Professor. I look back on those years with colleagues Tess Miller and Celia Nicklin with such pleasure and nostalgia!

On my appointment to the Principalship of Birmingham Conservatoire (now Royal Birmingham Conservatoire), I made sure to continue teaching the oboe and was delighted and proud to work for three Heads of Woodwind over my years there: Janet Hilton (who went on to run the Woodwind Department at the Royal College of Music), Michael Harris and Jenni Phillips.

As Principal, I felt it important to continue to teach my instrument to ensure that my leadership of the institution remained embedded in music making and the professional world of music. I also needed to continue to teach as an extension of my own playing which I have maintained as best I could over all those years.

On standing down as Principal after 17 years in 2010, my teaching at conservatoire level could have ceased too, especially as I soon found myself in a new role at Codarts Rotterdam where the oboe teaching was expertly covered by Maarten Deckers and Aisling Casey. But Jenni Phillips encouraged me to continue as an Oboe Tutor in Birmingham, made possible by the fact that my work in the Netherlands was a part-time appointment.

Over the years, it has been so rewarding to work alongside colleague oboe tutors in the Woodwind Department currently Jenni Phillips, Emmet Byrne, Rachel Pankhurst, Anna Cooper, Gail Hennessy and formerly the wonderful past members of the CBSO section, Richard Weigall, Jonathan Kelly, Karen O’Connor, Peter Walden and many distinguished visiting professionals too.

So I have now completed over 30 years at RBC and continue to enjoy teaching my students there. I try to stay aware of all those with whom I have worked and am thrilled to see the many successful careers that have developed over the years. If you are a former student and reading this, I am always so pleased to hear from you. I should also say that it is not just my oboe students but all former students who I worked with who can be included in this message!

In the meantime, I would wish to thank Janet Hilton, Michael Harris and Jenni Phillips for their amazing leadership of what remains as a remarkable Woodwind Department at Royal Birmingham Conservatoire.

Jenni Phillips, Head of Woodwind, Royal Birmingham Conservatoire

+44 797 4150356