{"id":441,"date":"2013-10-02T16:19:44","date_gmt":"2013-10-02T16:19:44","guid":{"rendered":"http:\/\/www.georgecaird.co.uk\/?page_id=441"},"modified":"2014-03-24T16:42:48","modified_gmt":"2014-03-24T16:42:48","slug":"publications","status":"publish","type":"page","link":"https:\/\/www.georgecaird.co.uk\/index.php\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"

Publications<\/h2>\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Date<\/th>Title<\/th>Publication \/ details<\/th>Published<\/th>\n<\/tr>\n<\/thead>\n
2020<\/td>A Tribute to Telemann's Fantasias for Flute<\/td>Read Article<\/a><\/td>15<\/td>\n<\/tr>\n
2019<\/td>Benjamin Britten's Temporal Variations, an enigma explored: Part Two<\/td>The Double Reed, Vol 42 No 4, pp. 47 - 85 Read Article<\/a><\/td>14<\/td>\n<\/tr>\n
2019<\/td>Benjamin Britten's Temporal Variations, an enigma explored: Part One<\/td>The Double Reed, Vol 42 No 3, pp. 65 - 95 Read Article<\/a><\/td>13<\/td>\n<\/tr>\n
2020<\/td>Benjamin Britten's Temporal Variations, an enigma explored: Part Two<\/td>Double Reed News, No 125, pp. 10 - 15<\/td>12<\/td>\n<\/tr>\n
2019<\/td>Benjamin Britten's Temporal Variations, an enigma explored: Part One<\/td>Double Reed News No 124, pp. 9 - 15<\/td>11<\/td>\n<\/tr>\n
2009<\/td>'Six Metamorphoses after Ovid and the influence of Classical Mythology on Benjamin Britten'<\/td>Benjamin Britten, New Perspectives on his life and work (ed. Lucy Walker) The Boydell Press<\/td>10<\/td>\n<\/tr>\n
2007<\/td>'Quintet for oboe and strings'<\/td>By Dorothy Gow, ed. George Caird and Stephen Powell<\/td>9<\/td>\n<\/tr>\n
2006<\/td>\u2018Benjamin Britten and Ovid\u2019s Metamorphoses\u2019, a discussion of the literary influences on the Six Metamorphoses after Ovid Op 49 and how these have influenced recorded performances<\/td>The Double Reed, Vol 29 No 4 Read Article<\/a><\/td>8<\/td>\n<\/tr>\n
2006<\/td>\u2018Benjamin Britten and his Metamorphoses\u2019, an analysis of the Composition Sketch and Fair Copy of Six Metamorphoses after Ovid, Op 49 <\/td> The Double Reed, Vol 29 No 3. Read Article<\/a>\t<\/td>7<\/td>\n<\/tr>\n
2001<\/td>\u2018Conservatoires and Musical Employment in a Multicultural Society\u2019<\/td>Music Education in a Multicultural Society (AEC Utrecht)<\/td>6<\/td>\n<\/tr>\n
1999<\/td>\u2018Tone and Articulation\u2019 <\/td>Module 3, Woodwind Teaching and Learning
\n(Department of Arts and Humanities in Education, University of Reading)<\/td>		5<\/td>\n<\/tr>\n
1998<\/td>Approaches to Practice and Laying the Foundations of Technique\u2019<\/td>Module 3, Woodwind Teaching and Learning (Department of Arts and Humanities in Education, University of Reading)<\/td>4<\/td>\n<\/tr>\n
1998<\/td>\u2018Style and Interpretation\u2019<\/td>Module 3, Woodwind Teaching and Learning (Department of Arts and Humanities in Education, University of Reading)<\/td>3<\/td>\n<\/tr>\n
1998<\/td>\u2018Phrasing and Inflection in the Music of Mozart: some thoughts on Antony Pay\u2019s article 'Phrasing in Contention\u2019\u2019<\/td>Birmingham Conservatoire Research Journal I\/1<\/td>2<\/td>\n<\/tr>\n
1978<\/td>Various articles<\/td>Double Reed News and other publications<\/td>1<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

 <\/p>\n

Conference Papers<\/h2>\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t
Date<\/th>Title<\/th>Conference<\/th>\n<\/tr>\n<\/thead>\n
2018<\/td>'The legacy of Leon Goossens: British oboists and British oboe music'<\/td>Torbay Music Weekend<\/td>\n<\/tr>\n
2017<\/td>'Benjamin Britten and his Temporal Variations'<\/td>English Oboe Days, L\u00fcbeck Hochschule<\/td>\n<\/tr>\n
2014<\/td>\u2018Benjamin Britten and British Oboe Music in the 1930s\u2019<\/td>Barbirolli International Oboe Competition and Festival<\/td>\n<\/tr>\n
2008<\/td>\u2018Six Metamorphoses and the influence of Classical Mythology in Benjamin Britten\u2019<\/td>Britten Study Day, University of East Anglia<\/td>\n<\/tr>\n
2007<\/td>\u2018Benjamin Britten and his Metamorphoses\u2019<\/td>IDRS Congress, Ithaca, New York<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n","protected":false},"excerpt":{"rendered":"

  Conference Papers<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":10,"comment_status":"open","ping_status":"open","template":"","meta":{"_s2mail":"","footnotes":""},"class_list":["post-441","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/pages\/441"}],"collection":[{"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=441"}],"version-history":[{"count":13,"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/pages\/441\/revisions"}],"predecessor-version":[{"id":1123,"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/pages\/441\/revisions\/1123"}],"wp:attachment":[{"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}