{"id":1897,"date":"2018-08-02T11:06:22","date_gmt":"2018-08-02T11:06:22","guid":{"rendered":"http:\/\/www.georgecaird.co.uk\/?p=1897"},"modified":"2018-08-02T11:06:22","modified_gmt":"2018-08-02T11:06:22","slug":"ariadne-auf-naxos-at-longborough","status":"publish","type":"post","link":"https:\/\/www.georgecaird.co.uk\/index.php\/ariadne-auf-naxos-at-longborough\/","title":{"rendered":"Ariadne auf Naxos at Longborough"},"content":{"rendered":"<p>With Jane playing in the orchestra, it was a treat to see Longborough Festival Opera&#8217;s production of Ariadne on 13 July. On a perfect evening, to see the prodcution and have a picnic supper on the terrace with that marvellous view couldn&#8217;t have been a better evening.<\/p>\n<p>This was a delightful production by Alan Privett with a spacious, contemporary set by Faye Bradley which was able to accommodate the brilliantly funny Prologue and the opera itself in a flexible way. The cast was excellent with notable performances from Helena Dix as the Prima Donna\/Ariadne, Jonathan Stoughton as The Tenor\/Bacchus and an impressive virtuosity from Robyn Allegra Parton as Zerbinetta. Anthony Negus conducted a beautifully paced performance with the admirable orchestra making a major contribution. Sadly, we won&#8217;t be able to get to the production of <em>L&#8217;Incoronazione di Poppea<\/em> which is now on, so I look forward to a return to Longborough for Wagner next year!<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With Jane playing in the orchestra, it was a treat to see Longborough Festival Opera&#8217;s production of Ariadne on 13 July. On a perfect evening, to see the prodcution and have a picnic supper on the terrace with that marvellous view couldn&#8217;t have been a better evening. This was a delightful production by Alan Privett<\/p>\n<div class=\"centered\"><a class=\"more-linkd\" href=\"https:\/\/www.georgecaird.co.uk\/index.php\/ariadne-auf-naxos-at-longborough\/\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_s2mail":"yes","footnotes":""},"categories":[77],"tags":[],"class_list":["post-1897","post","type-post","status-publish","format-standard","hentry","category-opera"],"_links":{"self":[{"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/1897"}],"collection":[{"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=1897"}],"version-history":[{"count":1,"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/1897\/revisions"}],"predecessor-version":[{"id":1899,"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/1897\/revisions\/1899"}],"wp:attachment":[{"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=1897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=1897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.georgecaird.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=1897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}