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Royal Society of Musicians

By on July 26, 2026 in Royal Society of Musicians of Great Britain

For the Royal Society of Musicians, July is a month in which we can look back over the past year and think ahead as well. In a year that has seen an increase in the number of beneficiaries helped by the Society, we can also note happily that we have again welcomed over 100 new members to the Society thus bringing our membership to its highest ever number.

We have been aided by the arrival of two new members of staff, Kevin Lennon and Hannah McDonald, who have been able to assist with this increase in activity. Kevin has been working with the Grants Team, to ensure an even quicker response rate to the rising numbers of applicants and Hannah has been working with our Head of Membership and Communications, Mark Brierley, and our Head of Development, James Hobson, to assist in their ever-increasing workload.

Our Strategy Days took place on 8 and 9 July when we were able to review our Strategic Plan 2023 – 2026 in a timely way and set out the new Strategic Plan developed over the last year by Charlotte Penton-Smith, James Hobson and the staff team. These days are very important to the RSM in bringing together Governors and staff to spend time in reviewing and re-charging the Society’s work.

The RSM’s website gives full information on the many things that the RSM does. For anyone reading this post, if you are a professional musician or working in the music industry and have yet to join the Society, please consider becoming a member. Members are musicians who support musicians in need of help due to illness, accident, stress or anxiety. It’s as simple as that!

Mark Brierley, Head of Membership and Communications, Royal Society of Musicians

James Hobson, Head of Development, Royal Society of Musicians

Countess of Munster Musical Trust

By on July 20, 2026 in Countess of Munster Musical Trust, TRUSTS

The Munster Trust (www.munstertrust.org.uk) has completed another very successful year in which 364 musicians applied for support with 72 awards in voice, strings, piano, woodwind, brass, percussion, accordion, organ, composition and jazz being made in May and June.

This year we increased the number of grants awarded to composers in a new approach that is seeking to help composers to access advanced training and establish professional careers as we have with our vocal and instrumental awards.

The Munster Trust Recital Scheme has continued to flourish with eleven artists and one ensemble, Lumas Winds, performing at a wide range of venues nationwide. Information about the scheme can be found on the UK Artists Directory which the Trust has founded in collaboration with YCAT and involving Associate Artists and the Tillett Trust.

The Munster Trust gave awards and support totalling £300,000 in 2025 – 2026 and aims to continue to provide significant support to talented young musicians as they start their professional careers. There is always a need for more funding to fulfil our aims; anyone wishing to donate to this great cause, founded in 1958, can contact Julia Desbruslais, Executive Director (julia@munstertrust.org.uk)

Lumas Winds, Munster Trust Recital Scheme Artists

Royal Society of Musicians

By on April 9, 2026 in Concerts, Royal Society of Musicians of Great Britain

This year’s Jacqueline du Pré Charity Concert, organised by the Royal Society of Musicians, proved to be a great success on Monday (6 April) with Roderick Williams and Susie Allan presenting a wonderful programme of song, “Love Flows as the Brook Flows” at the Wigmore Hall. Framed by songs from Schubert’s Die Schöne Müllerin in English translations by Jeremy Sams, the programme included songs by George Butterworth (Loveliest of Trees), Joan Trimble (Green Rain), Ralph Vaughan Williams (The Vagabond, The Water Mill, Silent Noon), Ina Boyle (A Song of Enchantment), Gerald Finzi (Overlooking the River, He Abjures Love), Rebecca Clarke (Down by the Sally Gardens), Michael Head (Tewkesbury Road), Roger Quilter (Brown is my Love, By a Fountainside), John Ireland (We’ll to the Woods No More), Herbert Howells (The Sorrow of Love) and Benjamin Britten (O Waly Waly). A treasure chest of songs received to great applause by a very large audience.

This annual concert commemorates the great English cellist Jacqueline du Pré (1945 – 1989) whose career and life were so cruelly cut short. The Royal Society of Musicans as the oldest UK musical charity honours her memory and provides essential financial support and advice to all professional musicians who can no longer work due to accident, illness, stress or anxiety. It also works to ensure that all musicians stay healthy and prevent health issues if at all possible.

Thanks to Roderick Willams and Susie Allan for their generous performnaces to continue the RSM’s aims and to celebrate the inspirational quality of Jacqueline du Pré’s life and work.

Vocal masterclass with Roderick Williams OBE | Faculty of Music

Roderick Williams

Radcliffe Orchestra

By on March 12, 2026 in Oxford, Radcliffe Orchestra

I am looking forward to my upcoming concert with Oxford’s Radcliffe Orchestra which will take place on Saturday, 14 March at 7.30pm in St Andrew’s Church, Linton Road, Oxford.

The programme starts with George Butterworth’s Rhapsody, A Shropshire Lad, first performed in Leeds by the London Symphony Orchestra under Arthur Nikisch in October 1913 and only three years before the composer’s death at the Battle of the Somme in 1916.

Sunil Manohar returns to the orchestra after his memorable performance of Rachmaninov’s Third Piano Concerto last year, to perform the Gershwin Piano Concerto in F, first performed in 1925 in Carnegie Hall. The concert will conclude with the Symphonic Dances of Rachmaninov, a real showcase for every section of the orchestra first performed by Eugene Ormandy and the Philadelphia Orchestra in January 1941.

As in previous years, the concert is given in aid of charity and this year we will be raising funds for Restore, working for mental health across Oxford and in conjunction with North Oxford Rotary.

Please come and join us!

George Gershwin

Royal Society of Musicians

By on January 19, 2026 in Uncategorized

Lawrence Wallington

The RSM has announced with deep sadness the death of Lawrence Wallington on 11 January at the age of 68.

Joining RSM in 1984, Lawrence was a highly committed and hugely respected Member serving on the Court of Assistants from 2003, as a Governor since 2020 and as Chair of the Fine Instrument Scheme sub-committee since 2022. He will be greatly missed by his fellow Governors and staff, whom he worked so closely alongside, as well as the many Members who saw him regularly at RSM events. Our condolences go out to his wife, Eleanor, and family at this difficult time.

A graduate of Magdalen College Oxford where he read Modern Languages, Lawrence studied singing as a postgraduate at the Royal Academy of Music. He went on to serve for four decades as a bass in the Westminster Abbey Choir, whilst also working as a busy freelance singer in oratorio and opera. He was a member of many ensembles and most notably The Monteverdi Choir with which he sang for almost 40 years appearing as soloist on numerous recordings includimg CDs of Buxtehude and Carissimi.

Lawrence’s colleagues remember him as a wonderful colleague, full of warmth and generosity of spirit. As the years went by, younger colleagues looked to him as a fatherly presence, a person who was always there to help and support. A consummate tourer, Lawrence always knew the ideal restaurant in cities across the world and, wherever he went, there were always people that he knew.

With his wife, Eleanor Meynell, the Lawrence household was an open one where musical soirees were held and music was central to everything. Lawrence and Eleanor have given much through voluntary work and Lawrence’s service to the RSM is indicative of his great generosity of spirit. He will be greatly missed.

York Wind Chamber Music 2025

By on July 27, 2025 in York Wind Chamber Music

I am really looking forward to this years York Wind Chamber Music, my fourth year as a tutor on this highly enjoyable course. It will run from Saturday 2 August to Friday 8 with a play-through concert that evening in the Sir Jack Lyons Hall at York University. The days are action packed with non-stop music running into each evening, but the week is a great social gathering too with good food and time for a drink at the end of the day in the pub in Heslington or the university bar.

It will be great to see colleagues again – Patricia Moynihan, David Campbell, Bob Ashworth, Naomi Atherton, Simon de Souza, Stephen Reay and our Course Director, Richard Ingham. Paul Feehan will be our resident pianist for the week and it will be good to work with our perennial strings, Eric Clark, Alison Major, Ruth Addison, David Brereton and Thomas Rushton. The chance for everyone to play works for wind and strings as well as the huge range of wind chamber works available is an amazing factor in the week.

I am thinking about the oboists for the week – ten in all this year – and the oboe ensemble and double reed ensemble possibilities. Thinking back to my days with the National Theatre’s Double Reed Ensemble, I wonder about Dominic Muldowney’s Four From Arcady as a challenge for our oboists.

For anyone who has not been before, this is a course to look out for in future years. It tends to get booked up very early, so it’s advisable to make contact early to be sure of a place. Suzie Palmer, Course Director extraordinary, is the person to contact.

Richard Ingham, Course Director, York Wind Chamber Music

Oxford Sinfonia, 28 June 2025

By on June 20, 2025 in Concerts, Oxford Sinfonia

I am so pleased to be back with Oxford Sinfonia for its concert in St Mary the Virgin, Oxford on Saturday 28 June at 7.30pm. It’s a really exciting programme for a summer evening opening with Smetana’s brilliant overture to The Bartered Bride followed by Dvorak’s Cello Concerto. We are delighted to welcome cellist Gerard Flotats as soloist. Our programme ends with Beethoven’s 6 Symphony, “Pastoral”.

We hope that you will be able to come. All are welcome!

Gerard Flotats, cello

Countess of Munster Musical Trust’s tribute to Charles Alexander

By on June 20, 2025 in Countess of Munster Musical Trust

The Munster Trust ended its 2025 year of applications and auditions with a tribute to Charles Alexander, who has retired as Chair of the Trust after 10 years of exceptional service. Trustees, former trustees, Executive Director Julia Desbruslais and Operations Assistant Hannah McDonald gathered on 2 June in Covent Garden for a celebratory meal to mark the occasion. In thanking Charles with Clare Alexander with him, we were able to remember the 700+ beneficiaries that had received awards during his time, the appointment of Julia Desbruslais as Executive Director, the move to the Trust’s new office in Somerset House (with the help of YCAT CEO Alasdair Tait), the continued development of the trust’s assets including legacies and absorption of other trusts and Charles’ devotion to all the trust’s work.

We reminded Charles that he was the fourth Chair of the Munster Trust since its inception following Gerald Coke (1958 – 1978, Leo de Rothschild (1978 – 2005) and Nicholas Berwin (2015 – 2015). During his tenure, he also chaired the Royal Marsden Hospital (2016 – 2022), Guy’s and St Thomas’ (2022 -) and VIVID Housing Trust. These last two appointments continue and Charles will also continue with his work in the arts with his Chairmanship of Opera Rara, an interest that is very close to his heart.

Thank you Charles for a great ten years. The Munster Trust has benefited enormously from your time with us.

Charles Alexander

Bromsgrove International Musicians Competition

By on June 7, 2025 in Bromsgrove International Music Competition, CONSERVATOIRES

After a week of excellent performances at the Bromsgrove International Musicians Competition, congratulations to Madeleine Brown (piano) on her success in winning the competition and to Iohan Coman (violin) and Jamie Cochrane (piano) for their success in reaching the final.

Madeleine Brown studied the piano with Helen Krizos at Chetham’s School of Music before reading music at Trinity College, Cambridge. She previously studied with Dina Parakhina, Charles Owen and Lora Dimitrova. She is now a postgraduate student at the Royal Northern College of Music as she begins her career as a pianist. She has performed in prestigious venues such as London’s Steinway Hall, King’s Place, Kettles Yard in Cambridge and for the Oxford Piano Festival. She has received masterclasses from disitinguished pianists including Stephen Kovacevich, Richard Goode, Marios Papadopoulos, Sir Stephen Hough and Peter Donohoe.

Madeleine’s programmes in the BIMC comprised Haydn’s Sonata in B minor and Debussy’s L’Isle Joyeuse in the second round, Rameau’s Suite in D and Rachmaninov’s Moment Musicaux Op 16, 1 and 4 in the semifinal and Kazimierz Serocki’s Suite of Preludes and Scriabin’s 4th Sonata in the final.

Jamie Cochrane studied at Merton College, Oxford before going on the the Royal Academy of Music for a Master’s degree studying with William Fong and Michael Dussek. He has subesequently held a Graduate Musician Residence position at St Hilda’s College, Oxford. He was the pianist in the Oxford-based contemporary music Ensemble ISIS where he worked with composers Shirley Thompson and Cheryl Frances-Hoad.

Jamie’s programmes in the BIMC comprised Marc-André Hamelin’s Suite à l’ancienne, the Bach-Siloti Prelude in B minor and Chopin’s Barcarolle in round 2, Schubert’s Impromptu in Eb and Rachmaninov’s Prelude in B minor in the semifinal and Enrique Granados’ Los requiebros from Goyescas, Stephen Hough’s Sonata Vida Breve and the Trenet/Weissenberg En Avril à Paris in the final.

Iohan Coman was born in Paris and studied at the Conservatoire Rachmaninov before moving to London in 2018 as a student of So-Ock Kim at the Royal Academy of Music. He has participated in masterclasses with Hilary Hahn, Anthony Marwood and Luke Hsu and played with leading conductors including Trevor Pinnock, Sir Simon Rattle, Semyon Bychkov and John Wilson.

Iohan’s programmes for BIMC comprised The Sarabande from Bach’s D minor Partita and Ysayë’s Ballade from Sonata 3 in round 2, the Andantino from Schubert’s Sonata Op 162 and Ysayë’s Poème Elégiaque in the semifinal and Schubert’s A major Sonata D514 and the Ysayë Poème Elégiaque in the final.

Congratulations, too, to six further semifinalists, Cherry Ge (piano), Kosta Popovic (cello), Adrian Henke (piano), Alexandra Peel (violin), Nathan Perry (double bass) and Julia Blachuta (violin) all of whom gave highly enjoyable performances in a wide range of repertoire.

Madeleine Brown, piano

Iohan Coman, violin

Jamie Cochrane, piano

Bromsgrove International Musicians Competition

By on May 27, 2025 in Bromsgrove International Music Competition

It is great to be back in Bromsgrove for the 2025 International Musicians Competition. As in past years, we have a strong entry selected from the first video round with more than 20 fine performers playing for a place in the semifinal from 10.00am on Friday 30 May in Routh Concert Hall at Bromsgrove School. The Final will take place in the same venue on Saturday 31 May at 7.30pm.

Note, too, that the Final of the Bromsgrove Young Musicians Platform will take place from 2.00pm to 5.00pm of Saturday (31 May) in the Routh Concert Hall. This event if for talented young instrumentalists and singers between the ages of 9 and 17, divided into two sections: junior fro 9 to 13 and senior from 14 to 17.

All three events are open to the public. We hope you will come and support these wonderful musicians.

I am delighted to be working with fellow jurors, Sarah Bruce and Christopher Glynn, and also with David Saint, Chair of the BIMC, and Beverley Needham, Administrator. This is a most enjoyable week spent hearing and supporting really talented young performers in the beautiful environment of Bromsgrove School.

David Saint, Chair, Bromsgrove International Musicians Competition, former Principal, Royal Birmingham Conservatoire and Director of Music, St Chad’s Cathedral, Birmingham

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