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George Caird's Weblog | George Caird - Page 11

Gergiev Festival

By on October 14, 2015 in Codarts Rotterdam

This year’s Gergiev Festival on 10 to 12 September in Rotterdam was made all the more interesting by the inclusion of a performance of Rachmaninov’s 2nd Symphony played by students from Codarts Rotterdam and KC Den Haag and conducted by Valery Gergiev himself. This was another vintage collaboration between the two conservatoires which produced a most impressive reading of the symphony. There were some beautiful wind and brass solos but perhaps the stars of the show were the first violins who brought such intensity to the work. The festival was given over almost entirely to works of Rachmaninov with fine playing from the Rotterdam Philharmonic in the 3rd Symphony and Paganini Variations (soloist, Behzod Abduraimov) and from the Orchestra of the Mariinsky Theatre in the 1st Symphony and Symphonic Dances. The RPhO finished with amazing performances of the four piano concerti with Alexei Volodin (No 1), Dmitry Masleev (No 2), Alexander Gavrylyuk (No 3) and Sergei Babayan (No 4) – a true feast. Thanks go to Valery Gergiev for including the students in this amazing festival.

Kammermusik

By on October 14, 2015 in Kammermusik

After a silence of some weeks in this blog, it is time to catch up with the many things that have been happening over the summer. When I last wrote we were off to the Kammermusik Summer Workshop in Santa Fe. This was a great week in beautiful New Mexico, playing Mozart Quartets and other works, teaching and coaching, conducting Brahms’ A major Serenade and exploring old and new chamber music works. Thanks to Will Buss and Janet Yaker Murray (Keith Bowen did not make this workshop but was very much instrumental in the planning of it), Kammermusik is an extremely well organised week characterised by high levels of commitment and mutual appreciation of the work going on. A good development this year was the daily concert in the late-afternoon in which everyone shared what they had been working on. The result was much focussing of minds, a high workload and excellent productivity.

Jane and I enjoyed working with colleague coaches Stephen Redfield, Crawford Best and Douglas Dunston and with the many fine players on the course. A post-Kammermusik highlight was  being guided up nearby Lake Peak by Crawford Best – a thrilling walk to over 12,000 feet with stunning views of New Mexico and beyond from the top. Two days in Taos completed our trip – unforgettable!

 

 

End of an era

By on July 1, 2015 in Codarts Rotterdam

After a hectic June with concerts to play (including a most enjoyable return to the Adrian Boult Hall on 13 June for chamber music with Naoko Senda, Robin Ireland, Jane Salmon and Guy Murgatroyd), exams and end-of-term activities at Codarts Rotterdam, we came to a close today with the Graduation Ceremony for Classical Music. It was a great year and some wonderful musicians have graduated including Ineke Hellingman who played a wonderful Rachmaninov First Piano Concerto this week, Kristie Su whose violin playing goes from strength to strength, violinist Hayato Ishibashi completing his masters and playing with great authority, Kathelijne Wagner who will go to her first opera appointment in Germany, outstanding composer Meriç Artaç, percussionists Renato Dias Peneda, Antonio Gutiérrez Rubio and Yves Popov, bass clarinetist Mayuko Takeda, choral conductor Maarten van der Bijl, organist Anna Karpenko, violinist Titia Bouwman and many more.

This moment brings me to the end of an era that began when I was asked to lead the Classical Music Academy in Codarts Rotterdam in January 2011. Always intended as an interim appointment, I am delighted to be handing over to Okke Westdorp on 1 September. Okke is a former principal horn of the Hague Philharmonic and brings much experience and energy to the job. I will work with Okke through the autumn to ensure a smooth handover and will continue to do some projects for Codarts. With a Rachmaninov 2nd Symphony being played in a collaborative performance with KC Den Hague with Valery Gergiev conducting on 11 September and with the Fifty Fiddles Festival co-promoted by Codarts and de Doelen under the direction of violinist, Tim Kliphuis on 26 and 27 September, there will be plenty to do in the autumn.

For now, Jane and I will be heading for Santa Fe at the end of July for the Kammermusik Workshops and another chance to play some great chamber music in a beautiful place.

 

 

Lucy Akehurst’s 70th

By on June 10, 2015 in Royal Birmingham Conservatoire

Because our daughter Lizzie has been learning the violin with Lucy Akehurst since she was three, it was great to be able to take part in Lucy’s 70th Birthday Concert in the Adrian Boult Hall last Sunday. Lucy has been teaching young violinists in Birmingham for many years and has run the Young Strings Project at Birmingham Conservatoire for more than twenty years. Small wonder then that around 100 current and former pupils of Lucy made it this concert with supporting cellists, bassists and few wind players including one lone oboe. Stars included Alessandro Ruisi who played a beautiful Gershwin Prelude, Amy Galluzzo who played two Paganini Caprices with great panache, and Roberto Ruisi, Philip Edwards, Edward Pether, Caroline Pether, Sarah Thornett and Dewi Tudor Jones. But the real star was the massed young violinists (around 60 of them) who played the first movement of the Bach Double from memory. tring playing is alive and well in Birmingham and it was nice to hear Lucy resolving to continue teaching long into the future.

Piccolo heaven

By on May 20, 2015 in Codarts Rotterdam

I spent a most pleasurable 90 minutes last night in the small recital hall at Codarts Rotterdam listening to seven young flute players in the class of Juliette Hurel, Julie Moulin and Wim Steinmann all playing piccolo solos. The small audience of flute players, friends and partners of flute players and family of flute players witnessed a remarkable show. In turn, André Portela, Constance Sannier, Federico Dalprá, Bénédicte Zeitoun, Maxime Naël, Violeta Gil García and Wendy Vo Cong Tri with accompanists Annette Rogers, piano and Constance sannier, harpsichord,  performed their solos by Bach, Telemann, Dorff, Rachmaninov, John Cox and Kohler with poised musicianship, most from memory and well-founded techniques. The piccolo sang and dazzled in equal proportion and the time flew by.

The teaching of Rotterdam Philharmonic piccolo player, Wim Steinmann, is surely to commended here but I also thought that to have a flute class that nurtures the related instrument in such a way is rare. Juliette Hurel and Julie Moulin were both there to support this event. This is a class to be proud of!

Image result for wim steinmann

Wim Steinmann, flautist, piccolo player and conductor

The Big Day

By on April 28, 2015 in Codarts Rotterdam

28 March was an amazing day for Codarts, its students and for Rotterdam. Our 1000-student conservatoire in collaboration with De Doelen took over the whole of De Doelen complex for the day and put on 86 performances of extraordinary diversity. Why take on such a venture? The reason is to demonstrate what Codarts believes in being an arts organisation that is committed to excellence in diversity, to reaching out to as many sectors of society as possible and to attracting the most diverse audiences. Consequently Circus shows went along with Jazz (Trying LIndy Hop), World Music (Trying Tango, Trying Flamenco), Dance events (Tiger, Trance and Stonehenge), Classical Music (Dance with Bach and Gran Partita) and Musical Theatre (Musical in Concert). Collaborations included dance with organ (Tanz Toccata), Turkish and Classical instruments playing together and Amadigi Remixed, Handel’s magnificent opera retold with Pop and Classical musicians working together. Student pitches enabled students to promote their own work (Challenging Spaces, Please don’t bring lemons) and a Young Talent Orchestra (mainly ages 14 to 19) gave a good account of Beethoven’s First Symphony.

For De Doelen, the Big Day was an important part of its policy to widen its audience base, to work with education organisations and especially with Codarts Rotterdam and to continue to dedelop its creative thinking for the future. For Codarts, the whole organisation improved its communications and its ability to work together across all departments.

So, with application numbers for Codarts sharply rising and with the increasing level that goes with this, Codarts will continue to think in this broad and creative way. Yes, we stand for the highest of standards but also for the bravest of artsitic intentions. That’s why young performing artists want to come to Codarts. Let’s see what we can achieve next time – in the Big Day 2017!

Chamber Music in Rotterdam

By on March 4, 2015 in Codarts Rotterdam

March has begun with some really interesting chamber music in Rotterdam in the form of a visit to Codarts by the Schubert Ensemble of London on Monday 2nd and a concert by the Rotterdam Chamber Music Society in the Bergsingelkerk on Wednsday 4th. Both concerts featured experienced professionals playing with talented students in very engaging performances.

The Schubert Ensemble’s planned concert on Monday changed radically through mishap after Simon Blendis’ unfortunate broken arm on Sunday (all best wishes to him for a speedy recovery). Consequently some hours of rapid rethinking resulted in a lunchtime concert in which the Schubert Ensemble (Douglas Paterson, Jane Salmon, Peter Buckoke and William Howard) were joined by violinist Hayato Ishibashi, Master student of Igor and Vesna Gruppman, in performances of movements from the Hummel Quintet Op 87 and Schubert’s Trout. After a fine Chopin Scherzo No 2 from William Howard played at barely any notice, Hayato’s own Codarts Virtuoso Trio with Eva Otero (cello) and Justyna Jarzab (piano) played the first movement of Brahms’ B major trio. This was an inspiring concert for everyone followed by an afternoon of masterclasses and student ensemble play-throughs.

The Rotterdam Chamber Music Society followed the same principle of combining experience with youth. A double wind quintet led by Julien Hervé (clarinet), Karel Schoofs (oboe) and Martin van de Merwe (horn), all from the Rotterdam Philharmonic played with excellent students from Codarts Rotterdam, KC Den Haag and the Paris Conservatoire in a really impressive account of works by Florent Schmitt, Malcolm Forsyth and Mozart. Julien Hervé and Clément Bonnay (bassoon) began the concert with a brilliant rendition of the Poulenc Duo.

The interesting point here is that teaching does a very great deal but there is also a case for learning by osmosis from role models. What better way to develop than just simply to play with outstanding and experienced players? We should do this more often…….

Chamber Music activity will continue with the Grote Kamermuziekprijs at 20.15 on 17 March in the Juriaanse Zaal of De Doelen, Rotterdam. Run in partnership with KC Den Haag and sponsored by the Vrienden van Codarts, the final will feature ensembles from both conservatoires in what promises to be a very exciting evening. The finalists comprise the Lip Stick Marimba Duo,  Babylon Quartet and Les Cinq Wind Quintet.

 

January in Codarts

By on January 27, 2015 in Codarts Rotterdam

2015 began very actively with Codarts’ collaboration with Ensemble Klang and KC Den Haag in Klang, Dans, Bang, Dans in De Doelen, Rotterdam on 12 January and the Muziekgebouw Amsterdam on 15 January. Performing Julia Wolfe’s Lick, David Lang’s men and Michael Gordon’s Trance was an inspiring experience for all involved. The project was masterminded by Neil Wallace of De Doelen who brought off the four-way collaboration in a really inventive way. Not many performances begin in one venue (De Doelen) and finish in another (the Schouwburg) with performers and audience crossing the square from one venue to the other. For the instrumentalists in the 27-strong ensmeble it was great to perform with Codarts Dans in the Michael Gordon work with choreography from Hongaar Lóránd Zachar – an amazing display of driving energy and inventiveness.

Codarts Classical now follows up on the with our Snapshot Concert in De Doelen on Friday (30 January) at 12.30 with Friederike Bassek playing Miguel Del Aguila’s Broken Rondo for English Horn and Orchestra and Sara Guitierrez and Federico Mosquera Martinez (pianos) performing Poulenc’s Concerto for Two Pianos. Admission is free.

Gordan Nikolic will follow with his annual String Orchestra concert on 6 Febuary at 20.00 (Energiehuis, Dordrecht), 7 February at 20.00  (Zeeuwse Concertzaal, Middelburg) and 8 February at 20.15 (Juriaanse Zaal, De Doelen, Rotterdam) with Bénédicte Zeitoun (piccolo) performing Vivaldi’s Concerto in C, RV443 and the orchestra playing Mozart’s Divertimento K136 and Bartok’s Divertimento.

But before this, Codarts will hold its Open Day on Saturday 31 January from 10.00 to 16.00. All departments will be represented and for Classical Music there will be presentations and performances involving strings, woodwind, brass, percussion, singing, piano, organ (in the Laurenskerk). There will be a chance to hear the Snapshot Concert again at 15.00 in the Muzikzaal in the Kruisplein building.

For all these events, you can visit the Codarts website. I hope that you can come to one or more of these events if you are in the area. Otherwise, do write to make contact.

Here and there….

By on December 10, 2014 in My News

Well, there’s been plenty of variety in the past three weeks! If you are playing, teaching, managing, planning, supporting others and staying in touch with your family, what can you expect? On 17 November I was in Rotterdam to kick off the week and returned on the 18th  to attend the wonderful concert of the Schubert Ensemble at Leighton House, surrounded by the stunning exhibition currently running of Leighton and contemporaries. I was teaching my students at Birmingham Conservatoire on the 20th, back to Rotterdam on the 24th for a week which highlighted a most enjoyable Open Podium (see Post on Open Podiums) and Colin Currie’s concert in De Doelen with the Codarts Percussion Ensemble (27 November).

I had to miss the Codarts Young Talent Orchestra under Mikhail Zemtsov on 29 November but was in Rotterdam for the second Chamber Music Concert of the year on 3 December which included the Dvorak A major Piano Quintet (Natasha Morozova, Maria Bykova, Ron Ephrat, Monique Heidema, Sander Sittig) and Beethoven’s Septet with Benzion Shamir leading Ron Ephrat, Monique Heidema, Peter Leerdam, Nancy Braithwaite, Wendy Leliveld and Frans Berkhout. This was the first time that I had heard Benzion Shamir play and this made me wistful that I had never heard the Daniel String Quartet live during his many years as leader.

In between all these things, I have been involved in helping get my daughter Lizzie to all her violin playing (Birmingham Conservatoire Young Strings)  and singing (CBSO Children’s Chorus) rehearsals and engagements – all very exciting.

Time this week has been taken up with planning. We are now getting clear on the Codarts season for 2015 – 2016 and  I have also been communicating with Port Erin over chairing the Tertis International Viola Prize in March 2016. Performance plans are coming together for next year too.

Delia Ruhm (1925 – 2014)

By on November 26, 2014 in MUSICIANS, People

On Sunday 16 November, a large gathering of family  and friends came together at the Birmingham Botanical Gardens to celebrate the life of Delia Ruhm who died in September at the age of 89. Delia was a much-admired flautist whose early career included playing for the Boyd Neel Orchestra, Chelsea Opera Group (under Colin Davis), the Scottish National and BBC Scottish orchestras  and who played Principal Flute for the Orchestra da Camera for thirty years as well as in many other orchestras and ensembles in the Midlands notably the CBSO.There is a fine obituary for Delia written by her daughter Becca in the online Guardian dated 30 September 2014,  detailing her early life growing up in a Jewish family in Berlin and the Netherlands and her arrival in Britain in 1939. Delia was an extraordinary person who determinedly worked towards a career as a flute player at a time when this was no easy thing to do. She was championed by her teacher Gareth Morris (Principal Flute of the Philharmonia Orchestra for many years) who, when realising that there was no deterring her from her aim, did everything he could to help her.

Apart from her performing, Delia  taught the flute at the Birmingham School of Music, King Edward’s School and privately and using her great understanding of people worked as a volunteer for the Samaritans and the Children’s Hospice, Acorns. With her husband, Harlan Walker, her generous spirit flowed into her successful family and into the legendary hospitality that they offered to countless itinerant musicians as they passed through or stayed in Birmingham. In my own case, yearly visits with the Albion Ensemble for the Cannon Hill Chamber Music Weekends resulted in some stupendous meals at their house in the Hagley Road together with much laughter and joie-de-vivre. In 1993/4, when I was appointed to Birmingham Conservatoire I stayed no fewer than 70 nights in one year at the Walkers, thereby feeling a real part of their family ever since. Birmingham Conservatoire students have also stayed with Harlan and Delia and made use of their piano for practising. One of these, Pei-Chun Liao flew from Taiwan to play the piano at the celebration which also featured an expanded Albion Ensemble. Delia, you will be missed.

 

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