Publications
| Date | Title | Publication / details | Published |
|---|---|---|---|
| 2020 | A Tribute to Telemann's Fantasias for Flute | Read Article | 15 |
| 2019 | Benjamin Britten's Temporal Variations, an enigma explored: Part Two | The Double Reed, Vol 42 No 4, pp. 47 - 85 Read Article | 14 |
| 2019 | Benjamin Britten's Temporal Variations, an enigma explored: Part One | The Double Reed, Vol 42 No 3, pp. 65 - 95 Read Article | 13 |
| 2020 | Benjamin Britten's Temporal Variations, an enigma explored: Part Two | Double Reed News, No 125, pp. 10 - 15 | 12 |
| 2019 | Benjamin Britten's Temporal Variations, an enigma explored: Part One | Double Reed News No 124, pp. 9 - 15 | 11 |
| 2009 | 'Six Metamorphoses after Ovid and the influence of Classical Mythology on Benjamin Britten' | Benjamin Britten, New Perspectives on his life and work (ed. Lucy Walker) The Boydell Press | 10 |
| 2007 | 'Quintet for oboe and strings' | By Dorothy Gow, ed. George Caird and Stephen Powell | 9 |
| 2006 | ‘Benjamin Britten and Ovid’s Metamorphoses’, a discussion of the literary influences on the Six Metamorphoses after Ovid Op 49 and how these have influenced recorded performances | The Double Reed, Vol 29 No 4 Read Article | 8 |
| 2006 | ‘Benjamin Britten and his Metamorphoses’, an analysis of the Composition Sketch and Fair Copy of Six Metamorphoses after Ovid, Op 49 | The Double Reed, Vol 29 No 3. Read Article | 7 |
| 2001 | ‘Conservatoires and Musical Employment in a Multicultural Society’ | Music Education in a Multicultural Society (AEC Utrecht) | 6 |
| 1999 | ‘Tone and Articulation’ | Module 3, Woodwind Teaching and Learning (Department of Arts and Humanities in Education, University of Reading) | 5 |
| 1998 | Approaches to Practice and Laying the Foundations of Technique’ | Module 3, Woodwind Teaching and Learning (Department of Arts and Humanities in Education, University of Reading) | 4 |
| 1998 | ‘Style and Interpretation’ | Module 3, Woodwind Teaching and Learning (Department of Arts and Humanities in Education, University of Reading) | 3 |
| 1998 | ‘Phrasing and Inflection in the Music of Mozart: some thoughts on Antony Pay’s article 'Phrasing in Contention’’ | Birmingham Conservatoire Research Journal I/1 | 2 |
| 1978 | Various articles | Double Reed News and other publications | 1 |
Conference Papers
| Date | Title | Conference |
|---|---|---|
| 2018 | 'The legacy of Leon Goossens: British oboists and British oboe music' | Torbay Music Weekend |
| 2017 | 'Benjamin Britten and his Temporal Variations' | English Oboe Days, Lübeck Hochschule |
| 2014 | ‘Benjamin Britten and British Oboe Music in the 1930s’ | Barbirolli International Oboe Competition and Festival |
| 2008 | ‘Six Metamorphoses and the influence of Classical Mythology in Benjamin Britten’ | Britten Study Day, University of East Anglia |
| 2007 | ‘Benjamin Britten and his Metamorphoses’ | IDRS Congress, Ithaca, New York |