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Munich

By on September 16, 2014 in ARD Munich

I have just spent nine days (4 – 13 September) in Munich chairing the ARD Wind Quintet competition – four rounds of fine playing from 22 quintets comprising players from 21 countries. A real international event. It was marvelous to hear such varied playing with some ensembles going for a more blended sound, others showing greater individual freedom.

There were some memorable individual performances of Barber’s Summer Music, the Taffanel Quintet,  Danzi (op 68 No 2) and Reicha (op 91 No 3) , the quintets by Pavel Haas and Villa Lobos, the Ligeti Ten Pieces and Berio’s Ricorrenze. The beautiful quintet by Giya Kantscheli was played as the set piece by all in the second round and most notably by the canorusquintett.

The semifinals also featured the Quintetto Spirito but the final awarded Second Prize to the to the Spanish Azahar Ensemble with the German/Luxembourg Acelga Quintet and the French Klarthe Quintette sharing Third Prize. There was no First Prize.

It was a pleasure to work Pirmin Grehl, Karl Leister, Wolfgang Meyer, Ramon Ortega-Quero, Marc Trenel and Szabolcs Zempleni on the jury. We were supported so well by the ARD administration – thanks to Axel Linstadt, Elisabeth Kozik, Oswald Beaujean, Anja Krainz and our assistant Amelie Pauli.

 

ARD Munich Competition

By on September 4, 2014 in ARD Munich

I am now just beginning a return to Munich from 4 to 13 September for the ARD Competition for Wind Quintets. As an ardent quintet player, this will be a wonderful opportunity to hear some of the top ensembles. Having enjoyed two oboe competitions and one flute competition in the past, it will be a new experience to be involved in Chamber Music. I look forward to meeting a great jury – some old friends and some new.

Open Podium at Codarts Rotterdam

By on August 26, 2014 in Codarts Rotterdam

Codarts Rotterdam begins its new year this week and it is great to see new and returning students again after the summer break. In the Classical Music Department we begin with an introductory session of our Open Podium series today. The idea behind Open Podium is to offer students a regular platform to play to a supportive audience comprising fellow students, teachers and visitors.

The two-hour events usually feature between eight and ten soloists or ensembles across all instruments and voices each playing for between ten and fifteen minutes. Each performance is followed by a discussion about the work performed, issues of style and interpretation and aspects of performance technique.  The discussion is led by myself or a colleague teacher but anyone present can contribute. We discourage negative comments as much as possible and encourage all kinds of positive but searching insights.

These sessions have proved extremely useful for students who wish to try out a newly learned work, to prepare for an exam or competition or just to play one of their repertoire works. Some students have returned to play the same work again to develop their performance further and we welcome this as a useful facility. The fact that all instruments and voices take part makes Open Podium completely different from department events and masterclasses which focus on instrument specific matters.

We will hold up to thirty Open Podiums during the year. Details from Marien van der Meer at Codarts Rotterdam (mgvandermeer@codarts.nl)

Codarts concerts 2013 – 2014

By on July 16, 2014 in Codarts Rotterdam

Now that the year has finished at Codarts Rotterdam it gives a moment to look back on the past year. We had a particularly busy concert schedule which included the 40-year Jubileum concert in November for our Conductor-in-Residence, Arie van Beek, who gave a great account of Berlioz’ Symphonie Fantastique. The Rotterdam Philharmonic Codarts Academy followed up on this in March when students were able to connect with the Rotterdam Philharmonic’s performance of this same work under Valery Gergiev.

In January, our String Orchestra enjoyed a creative collaboration between its Director, Gordan Nikolic, and jazz violinist Tim Kliphuis’ Tim Kliphuis Trio. Building on a performance of Eine Kleine Nachtmusik in the first half, Nikolic and the trio improvised together and led orchestra members to do likewise in a fabulous display of inventive string playing. Tim Kliphuis returned to Codarts in May to take masterclasses and we hope to work with him regularly in the future.

Our series of collaborations with KC Den Haag brought us a chance to perform Mahler’s 10th Symphony in three performances at the end of February. This giant, late work was coupled with Schonberg’s Erwartung (with an outstanding Jeanne-Michele Charbonnet) with pre-concert talks looking at the circumstances that caused Mahler and Sigmund Freud to meet in Leiden in the summer of 1910. We were delighted that Susanne Malkki was able to conduct these performances and her inspirational work will remembered by all who took part. The concerts in Den Haag, Rotterdam and Amsterdam were very well attended with a capacity audience in De Doelen’s Grote Zaal in Rotterdam.

In April. Patrick Ayrton directed a  programme of colourful works including Biber’s famous Battalia, Vivaldi’s Concerto di Amsterdam, Schnittke’s Concerto Grosso No 1 and Haydn’s Symphony No 99.

Codarts is now trying to give as many concerto opportunities as possible to its students and each year the auditions see more than thirty applicants for the available performance spaces. This year, Hayato Ishibashi played the Stravinsky Violin Concerto in Arie van Beek’s Jubilee Concert to great acclaim and en route to a top result in his final Masters examination this summer. Eva Otero Picado played a touching account of the Dvorak Cello Concerto in January in the Grote Zaal, De Doelen with Hans Leenders conducting  and in April, Mario Molina Gomez played the Ravel G major Piano Concerto in a double bill that also featured William Hayter playing the Karel Reiner Bass Clarinet Concerto, both conducted by Arie van Beek.

We look forward to more exciting performances in the autumn, not least with a chance to play Sibelius 2nd Symphony with  Maestro Yannick Nezet-Seguin on 20 October in De Doelen.

 

Barbirolli International Oboe Festival and Competition

By on April 16, 2014 in Barbirolli International Oboe Competition

The Barbirolli International Oboe Festival and Competition came to a close last Saturday with a thrilling final. From eight semifinalists (Hannah Morgan, Nermis Mieses, Tiago Coimbra, Kyeong Ham, Samuel Bastos, Sergio Sanchez, Esther van der Ploeg and Juri Schmahl), three oboists, Hannah Morgan, Nermis Mieses and Samuel Bastos played the set work, Judith Bingham’s Durer Portrait, a concerto and an oboe quartet. The first prize was won by Hannah Morgan with performances of Mozart’s Oboe Quartet and the Martinu Oboe Concerto. Samuel Bastos won the second prize and Nermis Mieses the third prize. The jury was Neil Black, George Caird, Maurice Bourgue and Han de Vries.

The Oboe Festival also included talks and masterclasses and was supported by Michael Britton and Howarths of London. The Festival and Competition was held at the Port Erin Arts Centre. Thanks to Director John Bethell, Gloria Balakrishna and all the Festival staff.

 

My new website

By on April 1, 2014 in My News
Welcome to my websiteToday I launch my new website, complete with this web log!

 

This is a good time for me to start writing a blog, having completed my involvement in Susanna Mälkki’s Mahler 10 and Schönberg Erwartung concerts in The Hague, Rotterdam and Amsterdam and my own performances of concerti by Vivaldi and Handel with  DECO in Lichfield.

 

I aim to update my blog from time to time to provide updates on various projects and forthcoming events.

 
This week I am off to the Isle of Man for the Barbirolli International Oboe Competition where I will join fellow jurors Neil Black, Maurice Bourgue and Han de Vries. With a first round lasting two full days, there will surely be some exciting performances to hear.

Please explore my site and click on the various links to discover the areas beyond the homepage.  I hope you enjoy it, George
🙂

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